Deconstruction | Jacques Derrida | English Literature

Deconstruction in English Literature

Initiated by Jacques Derrida in the late 1960s, the idea of deconstruction had a significant impact on literary studies by the 1970s and 1980s. Phrases like “the transcendental signified,” and “random play of signifiers” are connected to deconstructive critique. The most well-known figures in this field are Geoffrey Hartman, Jacques Derrida, and Luce Irigaray.

Structuralism in English literature


Ferdinand de Saussure is most known today for his 1916 publication, Cours de Linguistique Générale, which is essentially a compilation of his lectures. The English version of the same text was eventually published as Course in General Linguistics. Saussure contends that language functions as a structure.

Transcendentalism in American Literature

Transcendentalism in American Literature

A theological, intellectual, and literary movement known as transcendentalism emerged in the eastern United States during the first half of the nineteenth century. In opposition to empiricists and rationalists, the transcendentalists had doubts about knowledge derived from either perception or rationality. They asserted that knowledge should come from personal revelation and intuition rather than through human skepticism.

Read more

Existentialism in English Literature

Existentialism in English literature

Back in prehistoric Greece, Plato and Aristotle assumed that everything had an essence. A certain set of fundamental characteristics that are required for anything to be what it is. That object would be a different thing if those characteristics weren’t present. Now, Plato and Aristotle believed that everything, even ourselves, had an essence and they think that even before we are born, we already contain our essences. Our essence therefore provides us meaning. because our purpose when we are born is predetermined. Essentialism, as it is commonly called, was the dominant worldview until the late 19th century, and many individuals still hold it to this day.

Read more

Okonkwo Character analysis

Okonkwo character analysis

Okonkwo is the central character of Chinua Achebe’s Okonkwo, the timid and indolent Unoka’s son, tries to succeed in a society that seems to value manliness. By doing this, he disavows all he thinks his father stood for. Unoka was polite, engaged in music and conversation, indolent, impoverished, wasteful, and a coward. Okonkwo actively embraces opposing beliefs and develops into a successful, affluent, frugal, fearless, and aggressive man who is vehemently opposed to music and anything else he considers to be “soft,” such as conversation and feeling. He is really stoic.

Read more