What is the frame narrative of The Canterbury Tales?

What is the frame narrative of The Canterbury Tales?

“The Canterbury Tales” by Geoffrey Chaucer is a frame narrative, or a story in which a main story incorporates or frames a number of other stories. The purpose of the frame tale in frame narratives is essentially to provide the other stories a context; it typically has little storyline of its own. The following stories, on the other hand, are often of a different genre and have a distinct beginning, middle, and finish. The journey to Canterbury serves as the poem’s frame narrative in “The Canterbury Tales”.

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The Wife of Bath’s Tale and character analysis

The Wife of the Bath tale and Character analysis

Geoffrey Chaucer wrote the well-known framing narrative “The Canterbury Tales sometime between 1387 and 1400. A group of 30 pilgrims who are traveling from London to Canterbury are the subject of the storyline. To amuse themselves while traveling, the pilgrims consent to take part in a storytelling competition. Each tale in The Canterbury Tales has a prologue that introduces the character giving the tale. The Knight, the Merchant, and the Friar are a few of “The Canterbury Tales” most popular characters, but the Wife of Bath is possibly the most well-known.

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Keats as a romantic poet

keats as a romantic poet

Unquestionably, Keats was one of the most significant figures of early nineteenth-century Romanticism, a movement that promoted the importance of the natural world and the purity of passion and imagination. The beauty of nature, the connection between creativity and imagination, how the feelings react to sorrow and beauty, and the impermanence of human life are just a few of the concepts and topics that are obvious in Keats’ famous odes. The odes’ lavish sensory language, idealistic devotion for truth and beauty, and passionate anguish in the face of death are all Romantic preoccupations—yet they are also all distinctively Keats’s.

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Hellenism in John Keats’s poetry

Hellenism in John Keats' poetry

Keats, in the words of Shelley, “was a Greek.” Indeed, Wordsworth, Coleridge, and even Shelley could not claim to be Greek thinkers in the same way that Keats could. Keats was introduced to the Greek spirit through literature, sculpture, and an intrinsic tendency. Keats often performs at his best while under the influence of Greek culture.

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Pre-Raphaelite brotherhood

Pre-Raphaelite Brotherhood

William Holman Hunt, John Everett Millais, and Dante Gabriel Rossetti, three Royal Academy students, founded the Brotherhood in 1848 with the goal of reforming the Victorian art world by reviving the pure, uncomplicated art of the Middle Ages. At the Royal Academy and Free Exhibition Show in London in 1849, The Brotherhood made its debut. The initials “PRB” were used by the three men to sign their artworks in addition to their signatures.

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Characteristics of Metaphysical Poetry

Characteristics of Metaphysical poetry

In poetry, the word metaphysical or metaphysics is particularly essential. “Physics” signifies “physical nature,” and “meta” signifies “beyond.” Metaphysical poetry is poetry that investigates the spiritual realm beyond the material realm of the senses.

Ode to Autumn by John Keats summary

Ode to Autumn by John Keats summary

John Keats wrote Ode to Autumn in September 1819. John Keats depicts the various qualities of autumn and its development through time in this poem, “Ode to Autumn.” Keats employed rich imagery throughout the poem to stimulate the reader’s attention as well as appeal to the sensations of sight and taste. Ode to Autumn is a unique way of appreciating autumn. We’re all acquainted with Thomas Hardy’s portrayal of autumn as dark, chill, and lonely, as well as the terrible sensation of growing old and approaching death. Keats, on the other hand, perceives the opposite side of the coin. He sees autumn as:  “Season of mists and mellow fruitfulness/close bosom friend of the maturing sun”.

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