The land that we now know as Britain originally belonged to Celts who had migrated from different parts of Europe such as Britain, Ireland, France and Spain. There is no exact date when they settled there.
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Preface to Shakespeare summary
Samuel Johnson’s “Preface to Shakespeare” was published in 1765 and it is an important contribution to English literary criticism. Although Johnson is a neo-classical critic and writer, he is completely unbiased when he assesses Shakespeare.
Eliot’s concept of tradition and his theory of Impersonality | Tradition and Individual Talent
“Tradition and Individual Talent” (1919) is the most well-known essay penned by T.S Eliot which was first published in the Periodical named “The Egoist” and later published in his work of criticism “The Sacred Wood”(1920).
Coleridge’s concept of Imagination | Imagination and Fancy | Biographia Literaria |
Samuel Taylor Coleridge was an English Poet and literary Critic who wrote many famous poems in his lifetime such as “The Rime of the Ancient Mariner”, “Ode to Dejection”, “Kubla Khan” etc. As we know, S.T Coleridge was a famous poet of the romantic period and because romantics stressed more on the imagination, so he conceptualized it.
Milton’s Grand Style in Paradise Lost
The style Milton used in “Paradise Lost” has righteously been stated as the grand style. The major elements of the grand style normally are: the grandeur of the perception which motivates the poem, the use of imposing words organized in splendid order, elaborate imagination, and the use of supreme literary devices which build on the greatness of the language used.
Aristotle’s concept of tragedy | Aristotle’s Poetics
Tragedy is the main concern of Aristotle in Poetics and it is the utmost argued and debated subject. According to Plato, tragedy has a damaging and detrimental result on the soul in that it caters to the feelings and passions that ruin its logical side.
Aristotle’s theory of Imitation and Catharsis | Aristotle’s Poetics
Aristotle’s “Poetics” is an important work in the history of English literary criticism. It was developed as an extension together with an evaluation of Plato’s “Republic”. According to Plato, mimesis was a delusion, a false copy that was far removed from reality. On the other hand, according to Aristotle, mimesis was “natural”.